Books, screen, art and environment of lutruwita-Tasmania
The following is based on Daniela’s launch speech for Tyenna, with The Hobart Bookshop, in March, 2022. You can read online or download (using the download button at the bottom of the page, to read offline, print, and/or share around, but please credit me if you wish to quote from or reference this material. Below …
Continue reading “Launch notes for Tyenna, by Julie Hunt and Terry Whitebeach”
It was an honour to be asked to ‘virtually’ launch Julie Hunt’s and Terry Whitebeach’s new children’s novel, Tyenna (published by Allen & Unwin Books). The launch was hosted by Hobart Bookshop and you can join us whenever it suits you! No need to worry about getting to the usual awkward 5.30 event timeslot, whether …
Continue reading “Launch of Tyenna, by Julie Hunt and Terry Whitebeach”
An essay on Oliné Keese’s The Broad Arrow, Robert S. Close’s Eliza Callahan and Rachel Leary’s Bridget Crack, reflecting on poetic language in Tasmanian writing and the sensory and emotional languages we use to communicate with and about the world.
In the background of a photo of Julie Gough’s installation Ebb Tide (The Whispering Sands), 1998, over Lady Jane Franklin’s right shoulder, I can just make out my family home (Gough, 2018, p. 148). The house occupies a slight promontory, the land jutting into Eaglehawk Bay just enough to offer a view over the Neck. …
Continue reading “Tense Past: reflections on the art of Julie Gough”
Bright South has recently been helping Melbourne independent filmmakers Golden Moss with production of their new story. Filming has just been completed at a number of locations around the Tasman Peninsula. This was a mammoth task achieved in just 6 days, and was greatly assisted by the generosity of a number of locals, to whom we extend our heartfelt thanks. Read more …
Rachel’ Mead’s The Flaw in the Pattern takes you on a journey ranging from Tasmania’s Overland Track to the southern ocean, and out into the great basin of Lake Eyre. Her observations are always interknitted with the intimate details of life and human relations, which allow you to see into the flaws in the patterns of everyday language.
Of one of lutruwita-Tasmania’s greatest poets, of Pete Hay, Rachel Edwards wrote: “no one else takes the temperature of this island like Hay, and no one else uses Tasmania as such an effective prism through which to consider human nature” (The Australian). Not only is Pete a poet though, he is also a respected scholar and activist. Find out more . . .