Books, screen, art and environment of lutruwita-Tasmania
The Hobart Writers Festival will be on next weekend – 9th and 10th of October 2021. It has been keeping me very busy over the last few weeks, mostly on things like the website, ticketing and other marketing collateral, but what I’m happiest about is having facilitated several sessions that will bring some amazing writers, …
An essay on Oliné Keese’s The Broad Arrow, Robert S. Close’s Eliza Callahan and Rachel Leary’s Bridget Crack, reflecting on poetic language in Tasmanian writing and the sensory and emotional languages we use to communicate with and about the world.
In the background of a photo of Julie Gough’s installation Ebb Tide (The Whispering Sands), 1998, over Lady Jane Franklin’s right shoulder, I can just make out my family home (Gough, 2018, p. 148). The house occupies a slight promontory, the land jutting into Eaglehawk Bay just enough to offer a view over the Neck. …
Continue reading “Tense Past: reflections on the art of Julie Gough”
Bright South has recently been helping Melbourne independent filmmakers Golden Moss with production of their new story. Filming has just been completed at a number of locations around the Tasman Peninsula. This was a mammoth task achieved in just 6 days, and was greatly assisted by the generosity of a number of locals, to whom we extend our heartfelt thanks. Read more …
Rachel’ Mead’s The Flaw in the Pattern takes you on a journey ranging from Tasmania’s Overland Track to the southern ocean, and out into the great basin of Lake Eyre. Her observations are always interknitted with the intimate details of life and human relations, which allow you to see into the flaws in the patterns of everyday language.