An essay on Oliné Keese’s The Broad Arrow, Robert S. Close’s Eliza Callahan and Rachel Leary’s Bridget Crack, reflecting on poetic language in Tasmanian writing and the sensory and emotional languages we use to communicate with and about the world.
Review: Dominique Hecq’s Hush: A Fugue
Dominique Hecq’s Hush: A Fugue is a quiet, sad, collection of poems, which, for me, really evokes the atmosphere of Melbourne. Dominique is an accomplished writer, in this volume exploring themes of loss and mourning, not only of a child, but also of her mother tongue, French.