An essay on Oliné Keese’s The Broad Arrow, Robert S. Close’s Eliza Callahan and Rachel Leary’s Bridget Crack, reflecting on poetic language in Tasmanian writing and the sensory and emotional languages we use to communicate with and about the world.
Poetic Island – reflective writing on Oliné Keese’s The Broad Arrow, Robert S. Close’s Eliza Callahan and Rachel Leary’s Bridget Crack.
